top of page

The Pigment Truth: Why Most Brow Tattoos Heal the Wrong Colour (and How We Prevent It)

  • Writer: Ira Bale
    Ira Bale
  • Sep 16
  • 2 min read

By Ira Bale – Cosmetic Tattoo Artist, Melbourne, South Yarra & Toorak Village


Because orange, blue, and grey don’t belong on your face.


The Colour Disaster No One Talks About


Every month, I see clients in my South Yarra and Toorak Village studios with the same complaint: “My brows healed the wrong colour.” They walked into another salon expecting soft brown. Three months later, they’re hiding orange, blue, or grey shadows under makeup.


This isn’t bad luck. It’s science ignored.


Transformation of eyebrows through ombre shading by Ira Bale, showcasing natural brows, freshly applied ombre brows, and the healed result after four weeks.
Transformation of eyebrows through ombre shading by Ira Bale, showcasing natural brows, freshly applied ombre brows, and the healed result after four weeks.

Why Pigments Go Wrong


The colour you see on day one isn’t the colour you’ll live with. Once pigment heals, it interacts with:


  • Skin undertones: Yellow, red, olive, or cool undertones shift pigments dramatically.

  • Pigment quality: Cheap pigments oxidise, breaking down into their base colours.

  • Depth of placement: Too deep = bluish-grey. Too shallow = patchy red.

  • Skin health: Thin or overworked skin heals unpredictably.


If an artist doesn’t understand these variables, you’re basically gambling with your face.


A Story From the Chair


N., a Melbourne client, came to me with brows that had healed a strange, faded orange. “They were brown at first,” she said, “then they just went… carrot.”


The issue? The artist had used a pigment with high red base tones on her naturally warm skin. No colour correction, no undertone adjustment. The result was inevitable.


We neutralised her brows with olive-based pigment and corrected the depth. Six weeks later, her brows were soft, balanced, and finally believable.


The Pigment Science We Use


At Ira Bale Brows, pigment choice is never guesswork. We use:


  • High-stability pigments designed specifically for cosmetic tattooing, not body art.

  • Colour theory correction — neutralising undertones before adding the desired shade.

  • Custom blending — matching pigment not just to hair colour, but to undertones and lifestyle.

  • Experience — years of seeing how pigments actually heal on real skin, not just in bottles.


This is why brows tattooed in my chair heal into tones that make sense.


Why Cheap Salons Fail Here


Many Melbourne salons cut costs with cheap pigment lines or “one-colour-fits-all” methods. Some even use body tattoo inks — designed for permanent saturation, not delicate fading. That’s how you end up with blue brows five years later.


Others simply don’t understand colour theory. They pick “medium brown” from a bottle and hope it sticks. It doesn’t.


Ira’s Take


Pigment is alive — it changes, shifts, and ages. If your artist doesn’t anticipate that, they’re not doing their job.


I’ve corrected work from artists who never even looked at their client’s undertones. To me, that’s negligence. Brows aren’t paint on a wall. They’re biology and chemistry combined.


The Bold Truth


If your brows healed the wrong colour, it wasn’t fate — it was preventable. The right pigment, placed at the right depth, with the right correction, heals into brows that look like they were always yours.


At Ira Bale Brows in Melbourne, I take pigment science as seriously as architecture. Because in my philosophy, “natural” isn’t a colour on day one. It’s how your brows live on your face for years.

Comments


bottom of page